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UID:earlymusicsa-1980@earlymusicsa.org
DTSTAMP:20260902T223518Z
DTSTART;TZID=America/Chicago:20150510T150000
DTEND;TZID=America/Chicago:20150510T150000
SUMMARY:La Follia Austin Baroque
DESCRIPTION:J.S. Bach’s “The Art of Fugue” In the last decade of his life
 \, Bach undertook the composition of 18 studies based on a single theme\,
  which he collectively titled Die Kunst der Fuge\, or The Art of Fugue. F
 ourteen of these studies are so-called fugues\, a compositional form empl
 oying imitative entrances of the theme under strict rules. Bach was (and 
 still is) the undisputed master of fugal composition. However\, the permu
 tations of this theme that Bach conceived stretched even his mighty power
 s to the limit. The theme is turned upside down. It is played at the same
  time as the main theme. It is played with shorter and longer note durati
 ons simultaneously\, and much more. The final fugue (apparently left unfi
 nished at his death) combines three other themes with the main theme\, on
 e of those themes being a spelling of his name. Several composers have hu
 mbly attempted completions of this f
LOCATION:First Presbyterian Church\, 8001 Mesa Drive\, Austin\, TX
URL:http://www.lafollia.org/
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