Past Events

BAROQUE BACCHANEL:
CPE Bach, Sonata in C, Wq. 147
for flute, violin and basso continuo.
Couperin, L’Apotheosis de Corelli
for 2 violins and basso continuo.
JS Bach, Air
for violin, flute, viola and basso continuo.
Corelli, “La Folia” in D minor, Op. 5, No. 12 for flute and basso continuo.
JC Bach, Quintet in D, Op. 22, No. 1
for flute, 2 violins, cello and harpsichord.
Artists: Fred Edelen, Christina Edelen, Stephanie Jutt, Dmitri Pogorelov, Stephanie Sant’Ambrogio.

BAROQUE BACCHANEL:
CPE Bach, Sonata in C, Wq. 147
for flute, violin and basso continuo.
Couperin, L’Apotheosis de Corelli
for 2 violins and basso continuo.
JS Bach, Air
for violin, flute, viola and basso continuo.
Corelli, “La Folia” in D minor, Op. 5, No. 12 for flute and basso continuo.
JC Bach, Quintet in D, Op. 22, No. 1
for flute, 2 violins, cello and harpsichord.
Artists: Fred Edelen, Christina Edelen, Stephanie Jutt, Dmitri Pogorelov, Stephanie Sant’Ambrogio.

BAROQUE BACCHANEL:
CPE Bach, Sonata in C, Wq. 147
for flute, violin and basso continuo.
Couperin, L’Apotheosis de Corelli
for 2 violins and basso continuo.
JS Bach, Air
for violin, flute, viola and basso continuo.
Corelli, “La Folia” in D minor, Op. 5, No. 12 for flute and basso continuo.
JC Bach, Quintet in D, Op. 22, No. 1
for flute, 2 violins, cello and harpsichord.
Artists: Fred Edelen, Christina Edelen, Stephanie Jutt, Dmitri Pogorelov, Stephanie Sant’Ambrogio.

Henry VIII, best known today as a fat despot with an unfortunate marital history, was as a young man educated to be the “Ideal Renaissance Prince,” capable of speaking several languages and playing many musical instruments, especially the recorders and the virginal. His daughter Elizabeth was also well trained in music and played the virginal with great ability. This program will be an hour exploring music from the courts of Henry VIII and Elizabeth. The ensemble Canzona—which performs on copies of Renaissance-style recorders—will be joined by harpsichordist Christina Edelen from Amsterdam, playing on a reproduction Renaissance virginal. Gerald Self narrates the concert, telling stories about life in the English court and explaining the music and the instruments used.

Taun Ogle Miner, flute, John Stuart, cello, Dr. Daniel Long, harpsichord.

Opening of week-long early music workshop at Concordia University in Austin. Registration is open now.

Benissimo Music Productions introduces this vibrant vocal quintet in a concert of Early Music. Quintet members Ruth Moreland (Artistic Director), Amy Phipps, Laura Grindle, Andrew DeVoogd, and Steve Wegner will present a program featuring Francisco Guerrero’s “Missa de la Batalla Escoutez,” “Cantiones Sacrae Quinis Vocibus” by Peter Philips, and Sweelinck’s “Gaudete Omnes.” Cocktail Reception at 5:30, Concert at 7:00 p.m.

A vocal and instrumental concert on period instruments, presented by La Follia Austin Baroque. An official Fiesta event.

La Follia celebrates the 300th anniversary of the birth of Giovanni Pergolesi with a fully staged production of the comic operetta La Serva Padrona. A pre-concert lecture on Pergolesi will be given by Dr. Guido Olivieri of the University of Texas 20 minut

Historically accurate performance of this cornerstone of choral work, accompanied by the San Francisco-based period wind ensemble The Whole Noyse.

Medieval and Renaissance music of Italy, Spain, and the Balkans, played on period instruments.

La Follia celebrates the 300th anniversary of the birth of Giovanni Pergolesi with a fully staged production of the comic operetta La Serva Padrona. A pre-concert lecture on Pergolesi will be given by Dr. Guido Olivieri of the University of Texas 20 minut